In a particularly fun and relatable piece, Ally shares the challenges at home of juggling the transition away from his over-accumulation and the onset of Storage Wars. A Wolfburn No.270 is in the glass.

Archie happens upon a ‘distillery’ he’s never heard of. This ‘Shieldaig’ turns out to be a branded malt, which is fine. It has a purpose. Just like Dramface, which he also wants to discuss a little.

Drummond returns from a short hiatus with an insight into a trait that he’s come to accept; the need to pause and make time for self-care. A trio of Cadenhead’s Bunnahabhain helps of course.

Once more, Wally’s weary brain is faced with a whisky he doesn’t understand. In the end he wonders if the odd presentation of The Borders’ Right As Rain release is all to do with it being too cheap.

Ogilvie senses impostor syndrome. But he’s made of strong stuff and plods on regardless, doing a great job of sharing his thoughts on the September outturn from Decadent Drams for us all.

It takes a trip far away, with too little whisky, to make Charlie reflect on how lucky he is to live so close to the source. With a Johnnie Walker Double Black, he sees that Scotland is, actually, a great place.

In a follow up to yesterday’s serendipitous collaborative review, we interrogate the purpose and provenance of Nikka’s Coffey Malt. It’s something of an odd fish that we seem to, oddly, appreciate.

The Colonials try to find a good bottle they can review as a collaboration. This is harder than you might imagine, given regional availability, but they settle on an enigma: Nikka’s Coffey Grain.

Broddy spots a tall bottle with appealing specs; 16 years and all ex-bourbon. He’s in. Glenmorangie too. Expecting an amplified 12yo, he’s left, not for the first time, rueing unmet expectations.

A shipping miscommuniqué sees various Dramface team members end up with whisky they didn’t expect. This time it’s Glasgow’s 1770 Constantia and it means three can join in on the review.

Charlie digs out four somewhat forgotten blends from his cupboard to revisit them, all the while realising they all have a story - and a good reason for being there.

A memorable label was etched into Ogilvie’s mind & one day he finally found a St George’s Baller; an American ode to Japanese whisky. Therein he discovers one of his most challenging pours he’s ever tried.

Broddy discovers a nearby Canadian distillery doing everything all the right way, with local ingredients and an ingenious still set up. He dives in with both feet, buying four bottles at once. How does he fare?

Mining solo, Innes suddenly discovers a whisky club in London and everything changes - until Covid-19 changes everything. This 28yo Cadenhead’s Glen Scotia is from the (very recent) hay days.

A man struck by strong branding and potent design, Dougie spots something that isn’t whisky - as he knows it. But it is £32.50, so he fires in to explore Port of Leith’s ‘Table Whisky’.

When the Tobermory Distillery Halo Effect kicks in and Innes bursts out his wallet for a whisky that, in the end, has him asking "When is too much sherry cask influence a problem?"

As Murdo tells tales of travel and opening minds, he shares his take on three very rare and curious 'whiskies', while taking us through his life-long dream realised: a trip to North Korea.

Self-declared Tomatin fanboy Broddy has a suspicion that we’re being fleeced; that quality is dropping and folk are being taken advantage of. Today, it’s poor ol’ Tomatin in his sights.

After being ruined for whisky in Campbeltown, Murdo promises his wife to not mention whisky for an entire European holiday. Only for her to lead him to La Maison Du in Paris, and a bottle of Vilanova.

It’s been said malt and virgin oak don’t work. Broddy grabs a Glen Garioch and a Deanston Cask Strength for a side by side. There’s a clear winner, even if is scoring is a little less clear on this one.