A solid and dependable dram is needed to help Mason come down after a whirlwind trip to Glasgow for the annual Whisky Festival. This Fragrant Drops Elevenses Linkwood does the trick nicely.

Wally returns to ask why there are so many silly protectionist rules around stating where a whisky is made - and to who’s detriment when it’s so. He does so over a rather lovely Living Souls 19yo ‘Kildalton’.

Once in a while along comes a flavour profile that stretches our frame of reference in whisky enjoyment. Enter Hughie and his astonishment over a bottle of Ardara Irish Single Malt. He’s intrigued.

Fergus tries Glasgow malt at Glasgow whisky festival, only to ask it to live up to the experience when he has it back home. He also makes some observations about openness and transparency, and the humility of cities.

Ogilvie leads a four-way collab review of a…collab. This time it’s the 3yo blended Scotch from Living Souls x Thomspon Bros: a sherry/peat blend and cracking value.

Admitting one of his favourite Scottish destinations, Charlie laments not having visited Torabhaig, yet. However, he travels vicariously through an official and an indy from Thompson Bros.

With Benromach’s latest Contrasts highlighting how high enzyme grain might affect the end product, Hamish considers how far whisky makers can push the envelope under todays regs.

Every once in a while a Dramface writer will lament the poor selection available in one of whisky’s most potent retail spaces - GTR. Charlie uncovers a decent Bunnahabhain but he has an opinion.

After finally hooking up with some fellow Dramface pals in Glasgow, Ogilvie has to confess a feeling of giddiness. He cracks a Glasgow Distillery souvenir to help recall how great it was to render things real.

Ainsley had a forced whisky hiatus, but he rekindled his love for music while away. Over a tasty Cadenhead’s Tomatin 18yo, he realises keeping the passion might take a little thought and effort.

Sometimes, it needn’t be particularly complex, just good enough to nicely accompany a box set and an evening on the sofa. Hamish tees up a Teeling Chardonnay and wonders why it’s a first for Dramface.

Ally shares the concept of ‘bus drams’. This is a known practice and there are protocols and potential for social faux pas. But there are ways around it. Bring ‘interesting’ drams. Like this 19yo Jura from Milroys.

Staring at ever more sagging and creaking shelves, Drummond admits he’s been on something of a bottle ban in 2025. But it does allow him to crack some long saved charmers, like this Bunnahabhain 18yo.

Having only heard of Teaninich, Charlie tracks down a bottle. Then a remarkable dram forces a bottle hunt. Before he knows it, Charlie finds himself quite happily in the Teaninich rabbit hole.

That tricky third album. It’s the third release of the Thompson Brothers Mystery Malt Series and Hamish grabs another unknown bottle. As does Dramface journeyman Jackie, for his debut!

Lamenting the disconnect between the whisky that’s made and the whisky that’s sold, Fergus discovers that - once more - it’s the indies that have our backs. A Signatory Vintage Longmorn is in the glass.

Hughie is prompted to review his ‘collection’ during a reshuffle. More so when he reads a recent Whisky Magazine article. He chews everything over with a forgotten Glen Garioch 15yo.

After being challenged with a blind pour, Broddy gives the much misaligned Bowmore 15yo another chance. After gaining a reputation of being poorly handled in official bottles, this could be a rare uptick.

Even early in his exploration, Mason has accumulated bottles to tuck away for ‘a special occasion’. Then recent news came along and upended things. Time to crack this 6yo Ardnahoe.

Murdo puts forward the case for flexibility; to be seduced by quality and value over brands. Which, ironically, has him visit a brand that’s often rudely referred to as Diageo’s Death Star - Roseisle.