It’s a popular bottle, the Longrow 18. So much so, it generates one of our famous Dramface pile-ons, with Earie, Mike, Drummond and Murdo all reviewing their own annual editions. Perfect.

Archie shares his thoughts on the new Teuchter 17yo from Decadent Drinks, while admitting to getting down and dirty with his precious camera and the pursuit of better pictures.

Charlie wraps up a trio of Official vs Indy articles with a distillery which has yet to nudge the needle on the whisky enthusiast scanner, he wonders why as the distillery launches a 12yo flagship.

Remember the ‘good ole days’ as kids where we ranged far and wide fearlessly. Memories of those days in playgrounds bring a contrast to the newer playground designs where sharp edges are banned and children protected. Reflecting, Mason finds a tasty Peat Monster from the back of the cupboard which he has a soft spot for.

Despite finding frustrations with transparency (that thing again) and general presentation, Earie is pretty pleased to find a flavoursome value bomb from Teeling in their Douro Old Vines Sommelier Selection.

In a particularly fun and relatable piece, Ally shares the challenges at home of juggling the transition away from his over-accumulation and the onset of Storage Wars. A Wolfburn No.270 is in the glass.

Palate fatigue. Mason is convinced it’s a thing. And so, he resolves to seek out things to switch up his sipping experiences. How about the stuff he likes less? Like full maturation PX? An Edradour 10 fits the bill.

Some much needed positivity from Gilbert as he shares why he thinks Scotch whisky is coming home, using Symington’s 10yo Blended Scotch as the perfect example of why.

Feeling the crunch on his finances, Mason gets introspective. Facing over-accumulation, he naively attempts a slow down and a clear out of languishing bottles & revisits a Cadenhead’s 11yo Garioch.

After discussions orbiting around the fact people actually read Dramface, Ainsley is forced to recognise it’s more than a pet project. He dials in on an under-the-radar peat alternative that’s everywhere for £45.

Fletcher leans hard to compare indy bottling to music covers, but he has a point. He feels it’s nicer when the song is a legitimate original creation, like this Bittersweet Symphony from Turntable.

Sometimes, a whisky choice is much more about the moment than the liquid itself. When Ogilvie welcomes a friend of 53 years, he decides to drop the fancies. Inchmurrin 12yo is in the glass.

Broddy exposes everything anyone could want to know about Dramface scoring. In amongst the deep-dive, he shares a hidden gem of a blend, the OSWA nominated Cadenhead’s 7 Stars.

Ally’s already decided he’s won’t make any resolutions for 2026; last year’s didn’t work out as planned. He found his deep dive into wine woefully restrictive. He makes up for it with a 10yo Hazelburn.

Hamish reflects on his 2025 whisky moments. Whilst settling on the Glasgow Whisky Festival as the highlight, he shares a Cù Bòcan Creation that surprised him, almost as much as the people he meets.

As a stickler for justice, Fletcher gives a shout out to the 200 years old Edradour. As he sips this new, all natural 10yo, he wonders what would’ve happened if it hadn’t been saved.

Charlie has some agonising to do over his accumulated open bottles. He dives in to cull some off which, happily, brings this Arran 18yo to the fore, and he discovers it’s the first time we’ve reviewed it.

Once in a while along comes a flavour profile that stretches our frame of reference in whisky enjoyment. Enter Hughie and his astonishment over a bottle of Ardara Irish Single Malt. He’s intrigued.

With Benromach’s latest Contrasts highlighting how high enzyme grain might affect the end product, Hamish considers how far whisky makers can push the envelope under todays regs.

Sometimes, it needn’t be particularly complex, just good enough to nicely accompany a box set and an evening on the sofa. Hamish tees up a Teeling Chardonnay and wonders why it’s a first for Dramface.