Charlie and Wally are nervous. Scotland appear at their first World Cup finals since 1998 this weekend. Will Clydeside’s unofficial/official distillery limited edition release be the one to pour if there’s something to celebrate?

In a fit of rebellion, Mason rails against the wave of AI generated everything he finds in his life today. Whisky, especially good old-school style such as these Ardnamurchan Golden Promise releases, seems to help.

It seems that Pulteney have never been fully forgiven for the brand update that happened all the way back in 2018. Drummond put the case forward for their often overlooked 18 year old.

Sometimes we place unrealistic expectations on things, based on our own dreams and memories, building up inevitable ‘failure’. The return of Arran’s 14yo has Wally wondering if we’re all just after a ‘hot take’.

Broddy gathers seven bottles of SMOS Reserve Cask Small Batch releases in a single mega review. He justifies his scoring for each while dropping a bombshell of heresy about oatcakes.

Kindred spirits Archie and Charlie collab on one of their favourites: Torabhaig. This time it’s all about their new Taigh core release and the meaning of home, with summery pics of California and Scotland.

Charlie continues his deep dive into new distilleries (to him), this time uncovering the two ‘Glens’ of Ord and ‘Dullan, then comparing two Special releases to indies from James Eadie and the Thompson Bros.

In a hurry to get to funner places, Wally phoned one in. This time it’s a limited edition Macallan, and there’s nothing - yet somehow everything - wrong with it.

Earie uses some Big Words to describe reviewing decent, earnest whiskies in an independent way. This time it’s another flight of Dram Mòr releases from spring 2026. Including a sneaky malternative.

Bowmore’s reputation has been sullied in recent years. Archie grabs a Douglas Laing Old Particular; one of the many new releases from indies. Can it complete an arc of redemption?

As well as sharing his thoughts on a selection of Decadent Drinks recent outturn, Ainsley also shares his thoughts on his latest visit to the Independent Spirits Festival in Leith.

Once in a while, Mason gets genuinely excited about a new whisky release. This is one of those moments - and it’s a blend. Although one with a young and very different take on things; Turntable’s Born to be Wild.

It’s a popular bottle, the Longrow 18. So much so, it generates one of our famous Dramface pile-ons, with Earie, Mike, Drummond and Murdo all reviewing their own annual editions. Perfect.

In whisky, when is a finish not a finish? Fergie tackles a recent Small Batch form Glasgow and asks when it’s actually more like a secondary maturation. The 6yo Amarone ‘finish’ is in the glass.

A stranger to Glenlossie until 2025, Charlie uncovered one of Diageo’s ‘blend houses’ in a Cadenhead’s tasting. Typically for him, a pleasant experience and a bottle purchase finds him exploring and comparing.

In the first of his series of “Official vs Indy” reviews, Charlie tees up one of our most evocative comparisons: Clynelish. The question is, will he uncover any of the W-word?

Over time, Ainsley thinks the Scotch whisky landscape builds into a mental whisky bell-curve where favourites lie to one side and lesser malts the other. But what about the in-betweeners, such as this Cadenhead’s Miltonduff?

We often mention ‘Spinal Tap’ whiskies, but it’s nice when we can talk about an official release where the seminal “eleven!” is actually reached. Ardbeg’s 10yo Cask Strength in Archie’s glass.

Things are a little quiet around Dramface HQ over Easter, but Ramsay spends a little time with the brand-new small batch from Glasgow, in another obscure - but tasty - dessert wine cask.

Facing an ever-expanding stash of samples, Archie decides to get torn into a pack of Tri Carragh samples he was sent last year, most of which are still available, and some of which are belters.