Ally’s already decided he’s won’t make any resolutions for 2026; last year’s didn’t work out as planned. He found his deep dive into wine woefully restrictive. He makes up for it with a 10yo Hazelburn.

Predicted to be a huge hoit, Ardnamurchan released their first small batch, larger outturn Golden Promise release. All from ex-bourbon barrels. Drummond heads a collaborative of four reviewers.

Earie has given up worrying about the scale of his ‘collection’ and admitting that the fun is in buying more whisky. He trusts SMOS and buys blind, but he may have come a cropper on this Dailuaine.

Hamish reflects on his 2025 whisky moments. Whilst settling on the Glasgow Whisky Festival as the highlight, he shares a Cù Bòcan Creation that surprised him, almost as much as the people he meets.

Ogilvie finds himself in a funk. His family notice it too. What else is there to do but crack a Thompson Bros Mystery Malt Series 3 and head to the back porch. Contemplative therapy time. Ogilvie style.

In picking up the Glen Scotia Latest Icons release, Fletcher chooses to offer a shout-out to the faces behind the brands; those hard-working, tireless ambassadors that we all benefit from.

Our resident Parisian Ainsley is still unpacking the madness that was Glasgow’s Whisky Festival in 2025. With some distance, he also unpacks a lesser seen indie Auchentoshan from newcomers Whisky Craft.

In discovering a cracking SMWS Loch Lomond Inchmurrin, Broddy goes full Broddy and gives us a deep dive into our scoring, the whys and the whats and the hows. It’s fascinating.

After Dougie’s whirlwind November, he finally has time to sit with his Fragrant Drops 13yo Glen Garioch. Since it’s rainy, he also uncorks his all-time Geery pinnacle bottle for a side-by-side.

As a stickler for justice, Fletcher gives a shout out to the 200 years old Edradour. As he sips this new, all natural 10yo, he wonders what would’ve happened if it hadn’t been saved.

Charlie has some agonising to do over his accumulated open bottles. He dives in to cull some off which, happily, brings this Arran 18yo to the fore, and he discovers it’s the first time we’ve reviewed it.

A solid and dependable dram is needed to help Mason come down after a whirlwind trip to Glasgow for the annual Whisky Festival. This Fragrant Drops Elevenses Linkwood does the trick nicely.

Wally returns to ask why there are so many silly protectionist rules around stating where a whisky is made - and to who’s detriment when it’s so. He does so over a rather lovely Living Souls 19yo ‘Kildalton’.

Fergus tries Glasgow malt at Glasgow whisky festival, only to ask it to live up to the experience when he has it back home. He also makes some observations about openness and transparency, and the humility of cities.

Admitting one of his favourite Scottish destinations, Charlie laments not having visited Torabhaig, yet. However, he travels vicariously through an official and an indy from Thompson Bros.

With Benromach’s latest Contrasts highlighting how high enzyme grain might affect the end product, Hamish considers how far whisky makers can push the envelope under todays regs.

Every once in a while a Dramface writer will lament the poor selection available in one of whisky’s most potent retail spaces - GTR. Charlie uncovers a decent Bunnahabhain but he has an opinion.

After finally hooking up with some fellow Dramface pals in Glasgow, Ogilvie has to confess a feeling of giddiness. He cracks a Glasgow Distillery souvenir to help recall how great it was to render things real.

Ainsley had a forced whisky hiatus, but he rekindled his love for music while away. Over a tasty Cadenhead’s Tomatin 18yo, he realises keeping the passion might take a little thought and effort.

Ally shares the concept of ‘bus drams’. This is a known practice and there are protocols and potential for social faux pas. But there are ways around it. Bring ‘interesting’ drams. Like this 19yo Jura from Milroys.